Middle Ages And Literature Essays - Holy Grail, Narrative Poems

Medieval times And Literature Medieval times saw numerous turns of events and new patterns, yet none so clearly as the advancements saw in the Language and Literature of that time. It started with the Norman Conquest: articulate french words fill in for the brutal saxon reciprocals, fundamentally in the upper degrees of society. Writing started to mirror these adjustments in the language, and kept on developing all through the Renissance. Together, these viewpoints characterized the Middle Ages. The Norman Success occurred in 1066 with the passing of King Edward. William of Normandy, later to be reffered to as The Conquerer, battled King Harold so as to guarantee the crown in Britian. Succeeding, William coordinated Norman life into the Early English culture, amassing in the higher courts and plitical scene. This coordination of the Norman culture at that point sifted down to the underclass. The formative patterns of the English Language can be obviously found in the writing of the time. Geoffrery Chaucer, who's works were a forerunner to the Renissance, composed The Canterbury Tales, an assortment of stories set inside a confining story of a journey to Canterbury Cathedral, the place of worship of Saint Thomas Becket. The artist joins a band of pioneers, clearly portrayed in the Prologue, who amass at the Tabard Inn outside London for the excursion to Canterbury. Extending in status from a Knight to an unassuming Plowman, they are a point by point perspective on fourteenth century English society. Another brief look into the life of Center England was made by William Langland, who was probably the creator of the strict moral story known as Piers Plowman, considered one of the best English sonnets of medieval occasions. This work parodies debasement among the pastorate furthermore, the mainstream specialists, and maintains the respect and estimation of work, spoken to by Piers Plowman. Sir Thomas Malory, an interpreter and compiler, was the creator of the main extraordinary English composition epic, Le morte d'Arthur. It is accepted that he was an English knight of Warwickshire and spent numerous years in jail for political offenses and municipal violations. Le morte d'Arthur was as far as anyone knows made while the creator was in jail. It is an arrangement and interpretation from old French wellsprings of the majority of the stories about the incredible Arthur, ruler of the Britons, and his knights. The work is loaded up with sympathy for human flaws and rememberance of the times of gallantry. His works are trailed by John Wycliffe, who picked up conspicuousness in 1374 during a drawn out question between Edward III, lord of England, and the papacy over the installment of a specific ecclesiastical tribute. Both the ruler and Parliament were hesitant to pay the ecclesiastical tolls. Wycliffe composed a few flyers disproving the pope's cases and maintaining the right of Parliament to confine church power. The development of towns and societies made a difference to spread the new patterns saw in the Middle Ages. With towns, society was concentrated, empowering the spread of the new dialect and culture. Organizations at that point brought individuals with comparative abilities together, giving the perfect conditions for new developments to emerge. One such creation significant to the advancement of writing and language when all is said in done was the print machine. Created by Johann Gutenberg of Germany, the print machine permitted attempts to be replicated and appropriated as once huge mob. William Caxton, the primary British bloke to open a print machine, assisted with the transmission of new thoughts in the Middle Ages, introducing the Renissance. Caxton was liable for the printing of a considerable lot of the acclaimed works of Middle Age creators, including Sir Thomas Malory's Le morte d'Arthur. Along these lines, it is promptly appearent that the Middle Ages of English history was an essential time in the improvement of the English language and the writing to follow. Without such improvements saw underway of Chaucer, Wycliffe, and Malory, the writing that followed, for example, the works of William Shakespeare, would not have been conceivable.

Essay Topics on Gender Equality

Essay Topics on Gender EqualityIf you are an ambitious student or teacher who is interested in exploring topics on gender equality and learning for young people, there are many opportunities to find essays that may not otherwise have been covered. Using an online curriculum provider can help you avoid some of the traditional paper topics.Educational websites are becoming increasingly popular for students to use to explore subjects that may be unfamiliar to them. By utilizing a blog, articles, and stories that explore gender issues and ideas, you can provide a new perspective for your students to learn about. As they become familiar with the topic, they will be more likely to relate it to their own lives.Teachers can also use blogging and article writing to provide some guidelines and suggestions for their students in the form of a teacher's handbook. This is one place where teachers can be creative. They can talk about different approaches to essay topics on gender equality that may be used as a springboard for the students to explore further. In addition, they can provide insights and lessons that can help your students move forward with their own education by providing tools and resources that can assist them in writing a successful essay.Writing your essay requires finding the right journal, essay, or article. It does not matter if you do not feel comfortable writing about an uncomfortable subject. There are blogs and articles that are written by a variety of individuals that are experienced and knowledgeable on various topics related to equality. Take the time to explore these sites and decide which ones would most suitable for your needs.You need to take the time to find the best resources to use for your project. Look at the variety of topics available. It is important to choose a blog that is relevant to your topic. You want to ensure that the content on the blog is relevant to the particular essay topic that you are planning to write. This way, it is ea sier to research the blog, select the topics that you are interested in, and choose the appropriate essay topics on gender equality that are covered on the blog.Once you find the blog or article that is most appropriate for your topic, you need to select the writers who are available to help you with your project. Find out how long the writer has been writing, as well as their experience level in writing. Make sure that you choose a person that you are comfortable with. In addition, make sure that the person you select has experience writing and that they will help you when you encounter difficulty with your essay.For you to maximize the effects of your essay, you need to ensure that you follow the steps in the process in a consistent and effective way. It is important to commit to your writing each day. Set aside time each day to work on your project. Make sure that you spend the time that you need to complete the project and you will reap the benefits of your efforts.By creating e ssay topics on gender equality using these tips, you will have a few extra resources to use in your writing. You will also find that you can engage your students in discussions that are relevant to the topic. Lastly, you will find that you can even use some of these online essay topics on gender equality to bring in outside perspectives and help to ensure that your project remains relevant to your students.

About Japanese Art By Explaining The Main Concepts - 2750 Words

About Japanese Art By Explaining The Main Concepts (Term Paper Sample) Content: BA Japanese ArtStudents NameInstitution AffiliationBA JAPANESE ART 1 What are the functions of Jomon dogu figurines?The Jomon period is purported to have lasted from 14000BC to 900BC. This is the period that succeeded the Yayoi period. Jomon is Japanese word which means rope patterned. The Jomon people were mainly hunters and gatherers, but they later came to adopt the cultivation of food. The Jomon period is divided into six sub-periods which include, the incipient, initial, early, middle, late and final period. During this period, the Jomon people developed patterns and pressed into clay (Mizoguchi, K, 2013). Dogu is purported to be ceramic figures which were made of clay and they represented a human figure. The Dogu was initially used in relation to agriculture where the Japanese carved figures of earth deity who was worshipped to provide bounty harvest. The dogu became more pronounced during the mid-Jomon period when Dogu's unique characteristics were created.Thes e Jomon dogu figurines had distinct functions that made them significant in the Jomon culture. The Jomon dogu figurines mystically changed and advanced following the Jomon periods. For example, the hollow dogu was common during the late Jomon period between 2000BC-1000BC. The Jomon Venus and the cruciform on the other hand were common during the Middle Jomon period. The dogu figurines received special treatment and the craftsmanship involved in their development categorizes it as special arts. The dogu figures are stipulated to be sculptured with larger breasts and hips as a representation of the concept of creation and reproduction in human birth CITATION Miz13 \l 1033 (Mizoguchi, K. , 2013). The figurine was used a deity of worship for the safe delivery of newborns. Some other dogu figurines were used as avatars for curing diseases and injury. The Shaman was another dogu figurine used by the Jomon people. The Shaman represented an authority figure that connected people to their ancestors and helped them to remember their ancestors through the performance of certain rituals. The Shaman represented the character of the ancestors. 2 The characteristics of the Japanese Buddhist sculptures during the Asuka period.The Koreans and Chinese are purported to have introduced Buddhism in Japan during the Asuka period. It was officially inculcated into the Japanese culture through King of Paekche who sent an envoy to the Japanese Emperor presenting him with the Buddhist scriptures and the statute of Buddha. In accordance to the Japan history, the Asuka period is stipulated to have lasted from 538 to 710 CITATION Was03 \l 1033 (Washizuka, H., 2003). The Asuka period lies 25km from the city of Nara. It was named after Nara region. The Asuka period is deduced to have distinct origin from the late Kofun period, but it was highly affected by the arrival of Buddhism from China. The Asuka period is established to be the time when the early Buddhist culture from Northern Wei was highly prevalent. All the arts that ushered Buddhism inspired the Asuka period.The Buddhist art during the Asuka period was divided into two distinctive stages. The first stage represents the arts which sponsored the Soga clan. The Buddhist sculptures in this era were known as the Tori-Shiki, and this was mainly influenced by the Northern Wei period in China. The sculpture mainly consisted of almond shaped eyes and crescent-shaped lips that turned upwards. Asuka Daibutsu is another Japanese sculpture developed during the Asuka period. The Daibutsu was highly pronounced during the Shaka Triad CITATION Sha03 \l 1033 (Shatzman, 2003). Asuka Daibutsu displayed holes on either side of the pedestal to accommodate the flaking bodhisattva. The sculptures developed during this period reflected the Chinese Northern Qi dynasty styles. The sculptures produced during this stage are established to consist of four guardian figures which stand sentry to the quadrants surrounding the Shaka Tria d. The sculptures were made out of wood combined with some gold and polychrome. Kunara Kannon is another sculpture developed during the Asuka period. The sculpture was linked to the Paekche kingdom of Korea. It was mainly carved from camphor wood. The second stage of the Buddhist art during the Asuka period is the Hakuho culture which emerged in the mid-7th century. This stage is also known as the Taika reforms CITATION Sha03 \l 1033 (Shatzman, 2003). Miroku Buddha is one of the significant works developed by the Hakuho culture. The Yakushi Triad is one of the famous treasures developed during this period. The Buddhism sculptures made during the Asuka period were made out of bronze or camphor wood. 3 How is the influence of Tang Period aesthetics felt in the sculpture and painting of the Nara period?The Tang dynasty was an imperial dynasty of China which was preceded by the Sui dynasty. The dynasty came to an end in 907 when Zhu Wen, a military governor, deposed the emperor of Tang and he took the throne. The Tang dynasty was highly known for pottery and painting. The Tang dynasty was famous for the Buddhist establishment and aristocracy. During the Tang period, a huge temple called the Todai-Ji was built in Nara in a bid to house the bronze sculpture of Dainichi Buddha CITATION Ros86 \l 1033 (Rosenfield, J., 1986). The Nara period was mainly characterized by the religious paintings that adorned their temples. The Nara period has been recognized for its significant contributions to the art sculpture rather than painting.When the Japanese were under the Kokubuji system, there was huge production of the Buddhist statutes and implements of the Tang dynasty. Some of the sculptures featured in the Nara period from the Tang dynasty include the rounder and fleshier which were embroidered with a sense of elegance and movement. The early Nara period illustrates the naturalistic styles of art which emerged from the Tang dynasty. The Triad in the Yakushi temple which w as developed during the Nara period has also incorporated the Chinese anatomical and realistic drapery. The collection of art incorporated during the Nara period is stipulated to have been incorporated from the Tang dynasty CITATION Ros86 \l 1033 (Rosenfield, J., 1986). These art collections are established to be incorporated in the Shoso-in currently known as the Todai-Ji temple.4. What were the distinctive narrative characteristics that have been associated with the art of Emaki?Emaki is a Japanese art which is also called Emakimomo. The emaki art was painted in 735. Some of the arts presented in the emaki art are the Genji Monogatari emaki which has distinctly been described in the tale of Genji CITATION Koj93 \l 1033 (Kojiro, N., 1993). The Japanese arts come in a variety of forms, however, the emaki has distinct characteristic that, and it is suited for narrative paintings. The emaki art is purported to have originated from China, where it was used to depict stories of histor ical events. The art spread to Japan through the adoption of Buddhism. The emaki was a narrative scroll which was made from a paper or silk. The scroll was attached to a wooden dowel at the left end then rolled up for proper storage on the shelves.The Japanese emaki arts used diagonal lines of buildings and slanting spaces which were used to restrict focus to certain features. The emaki Japanese arts influenced the development of woodblock prints. The emaki art was used to depict the local life and landscape which signified the native Japanese subject matter CITATION Koj93 \l 1033 (Kojiro, N., 1993). The tale of Genji is one of the narrative arts developed by the emaki arts. Other narratives which developed from emaki arts include the shigisan engi emaki and the Ban Dainagon ekotoba. Reading an emaki narrative provided a cinematic experience as the viewer scrolls from right to left. The long and expansive format provided by the emaki narrative scroll, provided a conducive scene by scene detail. Some of the beautifully inscribed emaki narratives were intricately painted and presented to the monks from the wealthy Buddhists temple.Discuss the development of the emaki art in the late Heian period in their social and cultural contexts.In 794 CE, when Emperor Kanmu moved to the Heian-Kyo hence initiating the Heian period. During the late Heian period, the horizontal narrative hand scroll known as the emaki. The tale of Genji represents the earliest the surviving hand scroll used by the Japanese. During the 12th century, emaki artists devised a system that conveys emotional content in the scene. After appreciating emaki arts, the Japanese developed a sense of self-confidence and appreciation of their own heritage CITATION Sor12 \l 1033 (Sorensen, 2012). Among the cultural developments that took place during the Heian period through the emaki art is the development of the Kara writing which facilitated the writing of Japanese language. The emaki art was also used i n the development of poetry and other literacy forms which were used to indicate the rich native literature.The culture that developed during the Heian period moved from the Chinese models and inculcated Japanese poetic scripts that incorporated their language and culture. The paintings developed during this period were mainly bright and opaque colors which reflected the Japanese themes of the Heian people. The emaki paints developed to illustrate religious themes such as the illustration of the actions of the vengeful deity. The evolution of emaki arts depicted different meanings, for example, the development of the tale of Genji illustrated the connection between emaki and literature while Emakimomo depicted the events of conspiracy in Japan during the Heian period. 1 Define realism to Kamakura period sculptures. Analyze how this style developed and illustrate its characteristics with specific examples.Realism in arts is p...

Mentos Diet Soda Chemical Volcano

Chemical volcanoes are classic projects for science fairs and chemistry demonstrations. The ​Mentos and diet soda volcano is similar to the baking soda volcano, except the eruption is really powerful, capable of producing jets of soda several feet high. Its messy, so you might want to do this project outdoors or in a bathroom. Its also non-toxic, so kids can do this project. This simple  chemical volcano takes a few minutes to set up and erupts for a few seconds What You Need Roll of Mentos candies2-liter bottle of  diet sodaIndex cardTest tube or sheet of paperA mop for cleanup Makingthe Mentos and Soda Erupt First, gather your supplies. You can substitute another candy for the Mentos, such as MMs or Skittles, but ideally, you want candies that stack into a neat column with minimal space between them, have a chalky consistency, and barely fit through the mouth of a 2-liter bottle.Similarly, you could substitute normal soda for diet soda. The project will work just as well, but the resulting eruption will be sticky. Whatever you use, the beverage has to be carbonated!First, you need to stack the candies. The easiest way to do this is to stack them in a test tube narrow enough to form a single column. Otherwise, you can roll a sheet of paper into a tube just barely wide enough for a stack of candies.Place an index card over the opening of the test tube or end of the paper tube to hold the candies in the container. Invert the test tube.Open your full 2-liter bottle of diet soda. The eruption happens very quickly, so set things up: you want the open bottle/index card/roll of candies so that a s soon as you remove the index card, the candies will drop smoothly into the bottle.When youre ready, do it! You can repeat the eruption with the same bottle and another stack of candies. Have fun! How the Mentos and Diet Soda Experiment Works The Diet Coke and Mentos geyser is the result of a physical process rather than a chemical reaction. Theres a lot of carbon dioxide dissolves in the soda, which gives it its fizz. When you drop a Mentos into the soda, tiny bumps on the candy surface give the carbon dioxide molecules a nucleation site or place to stick. As more and more carbon dioxide molecules accumulate, bubbles form. Mentos candies are heavy enough they sink, so they interact with carbon dioxide all the way to the bottom of the container. The bubbles expand as they rise. The partially dissolved candy is sticky enough to trap the gas, forming a foam. Because theres so much pressure, it all happens very quickly. The narrow opening of a soda bottle funnels the foam to make a geyser. If you use a nozzle that makes the opening at the top of the bottle even smaller, the jet of liquid will go even higher. You can also experiment using regular Coke (as opposed to the diet versions) or tonic water (which glows blue under a black light).

William Shakespeare Biography Essay - 1691 Words

What was Shakespeare Biography? Who was William Shakespeare? Where was he born? Where did he go to school? How did William Shakespeare live his life from the beginning to the ending? William Shakespeare’s life became a great mystery with lack of evidence to support any findings. His schooling, his family and parents will be revealed in my paper. Who were William Shakespeare’s parents? The parents of Mr. Shakespeare were John Shakespeare and Mary Arden Shakespeare. Mary Arden married William Shakespeare in 1557. Mary was the favorite of eight daughters of the widowed Robert Arden (Absolute Shakespeare, 2000-2005). William Shakespeare’s parents were both uneducated. John Shakespeare had become the Mayor of Stratford were William†¦show more content†¦The nine years between is just another mystery that nobody can figure out(Shakespeare Online, Actor and Playwright,1999-2010 ). There is no doubt as of today that William Shakespeare is the greatest writer of English Literature. His plays have been made into movies, books have been written, music has been conducted and published, and if your real lucky you might even be able to see a play of one of his greatest stories ever told; in which I have seen many movies and read many books. Here are some of my favorite stories ever written; Othello, The Moon of Venice, The Taming of the Shrew, Twelfth Night or What You Will, Julius Caesar, Richard III, Macbeth (which was a favorite in high school), Midsummer Night’s Dream ( I have read that book), Henry V, Hamlet, which I might add Mel Gibson did very well playing that part, and my most favorite love story of all time, Romeo and Juliet. As you can see the title says it all. His mind went to the extreme and with such little education he just knew what his passion was and went for it. William Shakespeare’s children, as mentioned earlier, Susanna, Hamnet and Judith had a much different life of the great English Poet. William Shakespea re’s first born, Susanna, was raised by her mother, Anne. When Susanna turned twenty-four she was to marry a prosperous medical doctor. The wedding was held on June 5th 1607. Susanna had a baby girl eightShow MoreRelatedBiography of William Shakespeare2130 Words   |  9 Pageswere all written by a man named William Shakespeare. Now a household name, Shakespeare wrote a great number of plays and poems during the Elizabethan era. His work is studied by students everywhere, and his tales of adventure, comedy, and romance enjoyed by many. However, what if another author truly deserves the credit for his literature? Debated by historians for centuries, Shakespeare’s authorship has been challenged using a multitude of evidence. William Shakespeare was born in 1564 in Stratford-upon-AvonRead MoreEssay on Biography of William Shakespeare2736 Words   |  11 PagesBiography of William Shakespeare William Shakespeare was born on April 23, 1564. He was baptized on April 24, 1564, in Stratford-upon-Avon, Warwickshire. He was the third of eight children born to John Shakespeare and Mary Arden, three of whom died in childhood. John was a well-known merchant and Mary was the daughter of a Roman Catholic member of the gentry, or high social position. The house where Shakespeare spent his childhood stood adjacent to he wool shop in which his father plied a successfulRead MoreWilliam Shakespeare: A Brief Biography651 Words   |  3 Pages William Shakespeare is arguably the most well known and successful author is the history of literature. Little is known about Shakespeare’s childhood and is what questions he’s existence. Besides the lack of knowledge of his childhood, Shakespeare lived a successful adult life. His plays changed the english language language forever. In all of his success, people still doubt he ever existed. William Shakespeare’s birth is unknown but church records show that he was baptised on April 26, 1564Read MoreBiography of William Shakespeare Essay762 Words   |  4 PagesWilliam Shakespeare was born on April 23rd 1564 in Stratford-upon-Avon and died on April 23rd 1616; he was 52 years old when he died and was buried in the Stratford church. His father was John Shakespeare and died in 1601; his mom was Mary Arden and died in 1608. He married to Anne Hathaway the daughter of a farmer. They got three children: Susanna who was born on 1583 and two twins a boy which is Hammet and a girl which is Judith. Susanna was the eldest child and she didn’t have any education, sheRead MoreBiography of William Shakespeare Essay example483 Words   |  2 PagesBiography of William Shakespeare William Shakespeare was allegedly born in Stratford-upon-Avon, on April 23, 1564. He was baptized in the Holy Trinity Church on April 26, of that same year. His father, John Shakespeare, was a Glover and leather merchant and his mother, Mary Arden, a landed heiress. William was the third of eight children in his family. John Shakespeare had an outstanding run of success as a merchant, and later as anRead MoreA Brief Biography of William Shakespeare617 Words   |  3 PagesWilliam Shakespeare, the man of many artistic talents, is still quite a mysterious figure in today’s world, mainly because of the lack of records on this man; but also because of his writings. According to what little the Holy Trinity Church had documented on William Shakespeare, the legal and business transactions including some theatrical and Court documents as well as his life’s work, can be used to put the little bits of information given to us to see the basic overview of this man’s life, useRead MoreBrief Biography of William Shakespeare1433 Words   |  6 PagesThe Life of William Shakespeare William Shakespeare was a very dynamic playwright and writer. He enjoyed history which was shown through his writing. He excelled at writing many kinds of different genres of plays. He especially enjoyed tragedy and history. The reason William Shakespeare remains well known today is because he was a brilliant playwright which was clearly influenced by his childhood and culture. William Shakespeare was born in Stratford, England. On April 23, 1564, he was supposedlyRead MoreBiography of William Shakespeare1709 Words   |  7 PagesWilliam Shakespeare: Real or Fake? Introduction Who is the real Shakespeare? There are those who insist that William Shakespeare is the author of the many works attributed to him and reports state that there are those who believe some type of conspiracy exists to protect the real name of the author of those works. Claims state that there is no evidence to document William Shakespeare of Stratford as the author and that he did not have the aristocratic background, education, or knowledge to haveRead MoreA Very Brief Biography of William Shakespeare1609 Words   |  6 PagesWilliam Shakespeare William Shakespeare, man with intelligence, creativity, and with great passion for love, was one of the most prestige playwright, poet, and actor from the British Literature. He contributed his whole life writing some of the finest and well known plays and poems that are still highly valued in the present literary world. Shakespeare’s conventional themes for most of his plays and poems are about universal matters such as love, jealousy, and beauty which were common focus duringRead MoreWilliam Shakespeare s Life Of The English Language1425 Words   |  6 Pagesmarket town northwest of London (Biography 2016). William Shakespeare grew up modestly throughout the early years of his life, but the influence that he had in the literary world was anything but. His childhood education and young-adult jobs aided him in creating a name for himself gradually to the theater. With patience and commitment towards his writings, Shakespeare became known as the finest poet of the English lan guage (Lineback 2016). As a child, Shakespeare had two older sisters and three

Gender Inequality in the Workplace Seen Through A Sociological Lens of Conflict Theory free essay sample

In August 2013, Mayor Bob Filner of San Diego resigned after being accused by 18 women of sexual harassment. The women accused him of groping and unwillingly kissing them. Mayor Filner denied all accusations of sexual harassment, but apologized to all of the women he offended. This case is a primary example of gender inequality in the workplace. According to the conflict theorists, hegemonic masculinity and patriarchal power cause sexual harassment, and are the primary reasons why gender inequality exists within the workplace. Gender inequality in the workplace is a social issue, because it harms the values and goals of women in society. Women in the workplace are subjected to things such as separate criteria than men for promotions, unequal pay, and discrimination due to biological conditions such as pregnancy, Quid pro quo, and sexual harassment. These situations threaten the stability of the workplace as an institution. External conflict arose in the 1960s with the feminist movement. We will write a custom essay sample on Gender Inequality in the Workplace: Seen Through A Sociological Lens of Conflict Theory or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page The movement began due to growing awareness of gender inequality, and according to Coser, enhanced social solidarity within the group. The push for change is still seen throughout society today. Gender inequality has continued in one form or another despite profound structural changes such as industrialization and the movement of production out of the household, womens accelerated movement into the labor force after WWII and most recently womens entry into male-dominated occupations. What accounts for the chameleon-like ability of gender hierarchy to reassert itself in new forms when its old structural forms erode? (McLaughlin, Uggen, and Blackstone 2008). According to Collins, conflict is over a moral rightness, and that is what this push towards equality is all about. As we analyze causality within this social issue, we discover that many theorists connect workplace gender inequality with hegemonic masculinity and patriarchal power. Title VII of the Civil Rights Act of 1964 protects women from sex discrimination, including sexual harassment, which is the intimidation, bullying, or coercion of sexual nature. The U. S. Equal Employment Opportunity Commission (EEOC) also protects women from sexual harassment within the workplace, and acknowledges the presence of harassment like Quid pro quo, which is Latin for something for something. Quid pro quo is the promise of promotion or benefits in exchange for sexual favors. It can also include threats of losing ones job if they deny the request. As seen in the notes, Dahrendorf sees this as an aspect of power. Dahrendorfs theory poses the probability that one actor within a social relationship will be in a position to carry out his own will despite resistance, regardless of the basis on which this probability rests, meaning that if the male boss or person of higher authority wants something, they can get it done despite resistance due to their power. Although Title VII and the EEOC can protect women from some situations, inequality and sexual harassment is still prevalent within the workplace. As Coser emphasizes in understanding conflict theory, it is important to define the other when analyzing a social issue. The other within workplace gender inequality is the male. Women are the minority in situations such as the workplace, due to men practicing hegemonic masculinity. Like Weber, Coser says that conflict arises from the struggle for power. In this social issue, the struggle is for equal power- by controlling hegemonic masculinity, we can find equality. The gender pay gap is an important issue within workplace gender inequality. Women earned about 77 cents for every dollar that men earned last year, according to the Census Bureau (Berman). This pay gap is what Coser would define as an unequal distribution of scare resources based on gender. According to Cosers theory, this sort of inequality causes relative deprivation. Women are underprivileged compared to men within economics. Previous deprivations, such as before women had rights and before women began to transition into male-dominated occupations, would be labeled by Coser as absolute deprivation. Like Cosers theory suggests, although resources changed mentality did not. Society still struggles with the patriarchal paradigm that women are inferior to men. If Cosers theory is accurate now, what makes us believe it will not be accurate later and that society wont maintain this patriarchal paradigm? Dahrendorf, another conflict theorist, defines authority versus power- power is individual, while authority is social. Gender inequality exists within the workplace, because men being the gender majority, hold power over women. The fact that men are more likely to hold higher positions than women, gives men authoritative power, too. Like Coser said, this power inequality is the cause of conflict. The San Diego Mayor, Bob Filner, is a good example of someone with power who exercised sexual harassment. As a man, Mayor Filner individually held power over the women he harassed due to the sole fact that he was a male, and maybe even more because he was a white male. Mayor Filner held authoritative power over the women he harassed because he was the mayor of San Diego, California. His political career and his gender gave him power, letting him sexually harass many women and get away with it for a long period of time. Although the law, such as Title VII and the EEOC, consequently punished Mayor Filner for his actions, the fact remains that Mayor Filner caused conflict. It can be seen how hegemonic masculinity correlates with Filners actions, and how patriarchal power participates in causing and allowing sexual harassment. Gender inequality in the workplace is a social issue, because it harms the values and goals of women in society. According to the conflict theorists, hegemonic masculinity and patriarchal power cause sexual harassment, and are the primary reasons why gender inequality exist within the workplace. Since the 1960s when external conflict emerged and social solidarity formed for the fight against gender inequality, society has made a lot of changes within legislation and for social acceptance of women as being equal. Similar to how conflict emerges when norms are violated, equality will emerge when societal norms are redefined.

Bassanio`s request of Antonio Essay Example

Bassanio`s request of Antonio Paper We can interpret much about Portia from what Bassanio says. He brings in mention of Roman history when he says, her name is Portia, nothing undervalued To Catos daughter, Brutus Portia. This is very revealing as to the character of Portia. The reason I say this is because the Portia who Bassanio is describing at this point was a lady who was well known for her wisdom, learning, courage and her love for her husband. These are characteristics that we read about later on in the play about Portia which are true to Bassanios description. Another interesting link to the past is the link that Bassanio makes to Greek mythology when he mentions the fact that many Jasons come in quest of her. This shows the linkage to the quest for the Golden Fleece by Jason to give to Zeus. I interpreted this image as Bassanio describing Portia as the golden fleece, an object of unimaginable value and something (someone) who has gained the admiration of men far and wide who have come to try and claim her. The character of Bassanio is revealed in many ways throughout this extract. We first read of him when he is describing to us the story of his school-days, the childhood proof of his story and how he like a wilful youth owes Antonio a great deal of money. This shows us the childlike character of Bassanio as much of what he says in linked to childhood and past experiences in his childhood. This depicted to me how he has not really grown up and how he still has the mindset that he had as a child. We will write a custom essay sample on Bassanio`s request of Antonio specifically for you for only $16.38 $13.9/page Order now We will write a custom essay sample on Bassanio`s request of Antonio specifically for you FOR ONLY $16.38 $13.9/page Hire Writer We will write a custom essay sample on Bassanio`s request of Antonio specifically for you FOR ONLY $16.38 $13.9/page Hire Writer Another link to this childlike character of his is the fact that he doesnt directly tell Antonio his request, but like a child goes off on a tangent before getting to the point. He does this by telling Antonio the story of the arrows when he was a child and how when I had lost one shaft, I shot his fellow of the self-same flight with more advised watch and I oft found both. This, to me, showed how Bassanio doesnt want to go directly to the main point and request but like a child, creates an elaborate story in order to cover up the seriousness of what he wants and the situation. This could also be seen as Bassanio trying to diverge from his true purpose of asking the question because of the fact that he may be uncertain or even embarrassed of asking Antonio of such a thing. He could be trying to break the news to Antonio more gently in order to try and protect his friendship with him, as he may be uncertain of Antonios response. Another characteristic of Bassanio that I read about was the fact that he is a man who takes chances and risks with OTHER peoples assets, in this case Antonios money. I say this because he is under the impression that had I but the means to stand among the ranks of all the other men who were after Portias hand in marriage, he would questionless be fortunate. For a man who has nothing, he is extremely confident that if he had the money of others, he could do better than anyone else. This showed me how he is dependant on Antonio for more than just his friendship, but also his financial assistance and also his support. It also can be seen as his way of subtly asking Antonio for the financial assistance without actually referring to the borrowing of money. I also read about how Bassanio is a person who takes risks and is willing to make the same mistake twice in order to accomplish something. I say this because he tells us of the story of the arrow and how he would fire a second one in the same manner in order to determine where the first one went. This can be looked at as both a flaw and a virtue in his character. I say this because, it could mean that he has learnt what he did wrong and knows how to fix it, or it could mean that he is just taking his chances and gambling on success to come his way. We also read and interpret his love of money. Not only does he use Antonio for his money but he is using Antonios money in order to get at Portia who is the main monetary prize. Antonio is a stepping-stone towards the main ocean of wealth. This is portrayed when the first thing that he mentions is that Portia is a lady richly left this showed how his main attraction to Portia was her wealth and not her character and personality like it should be. I feel Shakespeare then wanted to cause some form of confusion within us as the reader with the immediate next phrase that Bassanio says OF wondrous virtue personally, I felt that this would create a clash and confusion of opinions created of Bassanio. At first we may think that he likes Portia for nothing more than her money however we then read about how he makes reference to her virtues and good qualities. As reading it the first time it causes us to be uncertain of whether or not he has true feelings towards Portia or not.

Netw204 Assignment4 Essays

Netw204 Assignment4 Essays Netw204 Assignment4 Essay Netw204 Assignment4 Essay Assignment 4, Link-state Routing and OSPF (50 points) Fill in the blanks below with either the term defined or the definition for the terms listed. Each answer is worth 2 points each, 25 questions X 2 = 50 total points. Type answers in the appropriate cell; text will automatically wrap. Post your completed assignment to the dropbox. NAME| | | Term| Definition| 1| | Attaches to multiple areas, maintains separatelink-state databases for each area it is connectedto, and routes traffic destined for or arriving fromother areas| 2| Autonomous System Boundary Router (ASBR)| | 3| Backup Designated Router (BDR)| | | | Contains an abbreviated list of the sendingrouter’s link-state database and is used by receiving routers to check against the local link-state database| 5| Designated Router (DR)| | 6| DRothers| | 7| Flapping link| | 8| | Router ID for an OSPF router if no loopbacks are configured? | 9| link-state acknowledgment (LSAck)| | 10| link-state advertisements (LSA)| | 11| | Asks for more information about any entry in the DBD| 12| link-state update (LSU)| | 13| Open Shortest Path First (OSPF)| | 14| | When this is not equal, the router with the highestnumber will be the DR regardless of router IDvalues| 15| RFC 2328| |OSPF Commands: Describe the results you would get from entering the commands below and how the results might be used by a network engineer. | Command| Description| 16| Router(config)# router ospf 123| | 17| Router(config-router)# network 172. 16. 10. 0 0. 0. 0. 255 area 0| | 18| Router(config-if)# ip ospf priority 50| | 19| Router(config-if)# bandwidth 128| | 20| Router(config-if)# ip ospf cost 1564| | 21| Router(config-if)# ip ospf hello-interval 20| | 22| Router# show ip ospf| | 23| Router# show ip ospf neighbor| | 24| Router# show ip ospf neighbor detail| | 25| Router# show ip ospf interface| |

Background The Employee Selection Process

An analysis of the appropriate measures employers must take in order to minimize the risk of hiring unsuitable employees. This paper analyzes methods employers must take to protect themselves from hiring bad personnel especially these days, when violence, sexual arrestment and corporate fraud are increasing in the workplace. The author suggests several steps human resources personnel should take in order to minimize the risk of hiring unsuitable employees. All work environments, big or small, have potential for trouble. Human relationships are complicated in all situations. Thus when workers spend such a large percentage of their days in the workplace problems are bound to happen. If employers stay aware of developing problems and deal with issues as they occur, the risk in the workplace will be minimal. Background checks and references are crucial for control of the problems arising in the work place. Defamation suits and discrimination can be avoided through carefully drafted written policies. Being wary of providing references is not the solution. The employers must work with the employees to draft policies that will be secure, efficient and control workplace problems. Privacy issues can be avoided if the employees know the underlying reasons. Education is the key and hence, human resource managers must work to provide the necessary security for both the employee and employerthrough background and reference checks.

Marine Ship Yard Research Paper Example | Topics and Well Written Essays - 1000 words

Marine Ship Yard - Research Paper Example It has negative impacts on many shipbuilding companies and counties around the world due to the biggest overcapacity of shipyards such as the far greater supply of fleet that it requires by the market (Mickeviciene). In order to meet the market and business success Western Marine Shipyard must consider that different countries have many nationalities that help the company to bring new ideas and ways to enhance the continuous strive to business success. Employees should be empowered in order to seek new opportunities, innovate and build an efficient working environment that is professional and positive for all. Western Marine Shipyard team members undergo intensive training to have a quality service and produce highly products and, the company considers it is a career, a great opportunity to work among the best personnel, receive the support needed to the make good decisions and deliver the best outcomes. This will carry out into the different branches around the world. In terms its benefits and financial impact, the recommendation will hit hard the shipyards. The primary challenge is in the industry is intermediate financing and this challenge having direct impact on the industrys production cos t, quality and growth. On the positive note the government should support its shipbuilding industry. The western Marine shipyard will be continually challenged with inconsistencies/contradiction - deal with the changes because the management is the integrating force within the organization’s activities. Whenever two or more individual works together in order to achieve a common goal, they have to communicate or coordinate their activities or programs. The employees also should be organized and maximize their resources in such way as to optimize the outcomes. The company will face with the challenge to manage both stability and change within organizations in the future. This has been evident in the story of

Civil cases Essay Example | Topics and Well Written Essays - 1000 words

Civil cases - Essay Example There are various factors in consideration before a case is allocated; case complexity, parties involved, financial worth of the claim, oral evidence, significance of claim to other people, kind of remedy being sort, and views of other parties. Cases allocated to this track are worth  £10,000 or less (Freer, 2006). These are the straightforward cases which do not require a prehearing procedure like in the case of a normal trial. Small claims cases incur a small legal cost. Cases in small claims include accident claims, consumer disputes, ownership of goods disputes, and disputes between tenants and landlords. Some cases however are not included in this claim even though they are worth less than the stated amount. These include, personal injury claim whose value for loss and suffering is more than  £ 1,000, repair claims by tenants of more than  £ 1,000, and disputed allegation claims (Freer, 2006). Cases allocated to the small claims track have restrictions on recovery costs and evidence. Hearing is short and the concerned parties represent themselves. Fast claims cases are worth up to  £ 25,000 in value (Freer, 2006). They have certain conditions that make them allocated to this claim. It is a requirement that the cases should not last for than one day, and that parties should have expert representatives in two areas of the case. Normal cases to allocate to the fast track include; personal injuries with a value of up to  £25,000, personal injuries with claims of pain worth more than  £1,000, and repair claims by tenants worth more than  £1,000 (Freer, 2006). As the trial is restricted to one day, it does not allow opening speeches. The multi claims track involves cases which have a value exceeding the fast track limit or other cases that have less value but are termed to be complex or too important to be allocated to the fast track and small claims. In essence multi track cases have a value exceeding  £25,000 (Freer, 2006).

Essay --

In Sophocles’ work, Oedipus the King, Oedipus definitely fits Aristotle’s meaning of a tragic hero which is a man of honorable importance. He is not a usual man, but a man with outstanding superiority and immensity about himself. A man of his own ruins goes for a greater cause or principle. Oedipus conveys many mistakes. In the play Oedipus the King, things really had taken a turn from good to bad. Using Aristotle’s meaning defines will be proven that Oedipus is a 1main example of a tragic hero Nobleness, Tragic flaw, and Hardship are all characteristics that Aristotle described as to what a tragic hero really define as. These are also four features Oedipus proves his well- being of a catastrophic hero. Oedipus’ nobility and asset is responsible for his first strategic to success as a tragic hero. The nature of Oedipus ‘noble position as son of a king, earns him veneration from not only people of Thebes, but the audience also. The audience must respect a tragic hero as someone superior and more control below themselves. In line 13 of Oedipus the King play, Oedipus states, â€Å"tell me, and never doubt me that I will help you in every way I can†. By saying this he means no matter what it takes, he is willing to sacrifice whatnot for his people, the individuals of Thebes. A kingly courage is something he had and held it high over his head, so high over his head he made a sacrifice to flee away from his own city. Oedipus exiled from the city to die out the plague, so citizens of Thebes wouldn’t harm any longer. He had taken things in his own matters. Oedipus felt he was a problem and things would only be right if it was he who left. Doing this great deed Oed ipus shows that he is far from being self-regarding and closer to a leader. His ... ...g something bad that he was told he would do and ended up doing it any. Tragedy does not always mean death. It’s just something good gone bad. Oedipus is perfect for the statement. He's a hero because he saves his hometown from the sphinx and becomes king. He's tragic because he kills his father unintentionally and marries (and has children) with his mother. Oedipus realizes that if he had not successfully avoided the oracle in order to save himself. At some point tragic heroes realize there flaws and learn how to deal with the situation as Oedipus had done. Oedipus was unhappy because he was a good person with some bad habits and habituated to making bad decisions. He tragic hero of a tragedy is a needed element to stir shame and fear of the audience to complete the emotional purgation. Sophocles character Oedipus the King is a proven explanation of a Tragic Hero. Essay -- In Sophocles’ work, Oedipus the King, Oedipus definitely fits Aristotle’s meaning of a tragic hero which is a man of honorable importance. He is not a usual man, but a man with outstanding superiority and immensity about himself. A man of his own ruins goes for a greater cause or principle. Oedipus conveys many mistakes. In the play Oedipus the King, things really had taken a turn from good to bad. Using Aristotle’s meaning defines will be proven that Oedipus is a 1main example of a tragic hero Nobleness, Tragic flaw, and Hardship are all characteristics that Aristotle described as to what a tragic hero really define as. These are also four features Oedipus proves his well- being of a catastrophic hero. Oedipus’ nobility and asset is responsible for his first strategic to success as a tragic hero. The nature of Oedipus ‘noble position as son of a king, earns him veneration from not only people of Thebes, but the audience also. The audience must respect a tragic hero as someone superior and more control below themselves. In line 13 of Oedipus the King play, Oedipus states, â€Å"tell me, and never doubt me that I will help you in every way I can†. By saying this he means no matter what it takes, he is willing to sacrifice whatnot for his people, the individuals of Thebes. A kingly courage is something he had and held it high over his head, so high over his head he made a sacrifice to flee away from his own city. Oedipus exiled from the city to die out the plague, so citizens of Thebes wouldn’t harm any longer. He had taken things in his own matters. Oedipus felt he was a problem and things would only be right if it was he who left. Doing this great deed Oed ipus shows that he is far from being self-regarding and closer to a leader. His ... ...g something bad that he was told he would do and ended up doing it any. Tragedy does not always mean death. It’s just something good gone bad. Oedipus is perfect for the statement. He's a hero because he saves his hometown from the sphinx and becomes king. He's tragic because he kills his father unintentionally and marries (and has children) with his mother. Oedipus realizes that if he had not successfully avoided the oracle in order to save himself. At some point tragic heroes realize there flaws and learn how to deal with the situation as Oedipus had done. Oedipus was unhappy because he was a good person with some bad habits and habituated to making bad decisions. He tragic hero of a tragedy is a needed element to stir shame and fear of the audience to complete the emotional purgation. Sophocles character Oedipus the King is a proven explanation of a Tragic Hero.

A Game of Thrones Chapter Sixty-two

Tyrion On a hill overlooking the kingsroad, a long trestle table of rough-hewn pine had been erected beneath an elm tree and covered with a golden cloth. There, beside his pavilion, Lord Tywin took his evening meal with his chief knights and lords bannermen, his great crimson-and-gold standard waving overhead from a lofty pike. Tyrion arrived late, saddlesore, and sour, all too vividly aware of how amusing he must look as he waddled up the slope to his father. The day's march had been long and tiring. He thought he might get quite drunk tonight. It was twilight, and the air was alive with drifting fireflies. The cooks were serving the meat course: five suckling pigs, skin seared and crackling, a different fruit in every mouth. The smell made his mouth water. â€Å"My pardons,† he began, taking his place on the bench beside his uncle. â€Å"Perhaps I'd best charge you with burying our dead, Tyrion,† Lord Tywin said. â€Å"If you are as late to battle as you are to table, the fighting will all be done by the time you arrive.† â€Å"Oh, surely you can save me a peasant or two, Father,† Tyrion replied. â€Å"Not too many, I wouldn't want to be greedy.† He filled his wine cup and watched a serving man carve into the pig. The crisp skin crackled under his knife, and hot juice ran from the meat. It was the loveliest sight Tyrion had seen in ages. â€Å"Ser Addam's outriders say the Stark host has moved south from the Twins,† his father reported as his trencher was filled with slices of pork. â€Å"Lord Frey's levies have joined them. They are likely no more than a day's march north of us.† â€Å"Please, Father,† Tyrion said. â€Å"I'm about to eat.† â€Å"Does the thought of facing the Stark boy unman you, Tyrion? Your brother Jaime would be eager to come to grips with him.† â€Å"I'd sooner come to grips with that pig. Robb Stark is not half so tender, and he never smelled as good.† Lord Lefford, the sour bird who had charge of their stores and supplies, leaned forward. â€Å"I hope your savages do not share your reluctance, else we've wasted our good steel on them.† â€Å"My savages will put your steel to excellent use, my lord,† Tyrion replied. When he had told Lefford he needed arms and armor to equip the three hundred men Ulf had fetched down out of the foothills, you would have thought he'd asked the man to turn his virgin daughters over to their pleasure. Lord Lefford frowned. â€Å"I saw that great hairy one today, the one who insisted that he must have two battle-axes, the heavy black steel ones with twin crescent blades.† â€Å"Shagga likes to kill with either hand,† Tyrion said as a trencher of steaming pork was laid in front of him. â€Å"He still had that wood-axe of his strapped to his back.† â€Å"Shagga is of the opinion that three axes are even better than two.† Tyrion reached a thumb and forefinger into the salt dish, and sprinkled a healthy pinch over his meat. Ser Kevan leaned forward. â€Å"We had a thought to put you and your wildlings in the vanguard when we come to battle.† Ser Kevan seldom â€Å"had a thought† that Lord Tywin had not had first. Tyrion had skewered a chunk of meat on the point of his dagger and brought it to his mouth. Now he lowered it. â€Å"The vanguard?† he repeated dubiously. Either his lord father had a new respect for Tyrion's abilities, or he'd decided to rid himself of his embarrassing get for good. Tyrion had the gloomy feeling he knew which. â€Å"They seem ferocious enough,† Ser Kevan said. â€Å"Ferocious?† Tyrion realized he was echoing his uncle like a trained bird. His father watched, judging him, weighing every word. â€Å"Let me tell you how ferocious they are. Last night, a Moon Brother stabbed a Stone Crow over a sausage. So today as we made camp three Stone Crows seized the man and opened his throat for him. Perhaps they were hoping to get the sausage back, I couldn't say. Bronn managed to keep Shagga from chopping off the dead man's cock, which was fortunate, but even so Ulf is demanding blood money, which Conn and Shagga refuse to pay.† â€Å"When soldiers lack discipline, the fault lies with their lord commander,† his father said. His brother Jaime had always been able to make men follow him eagerly, and die for him if need be. Tyrion lacked that gift. He bought loyalty with gold, and compelled obedience with his name. â€Å"A bigger man would be able to put the fear in them, is that what you're saying, my lord?† Lord Tywin Lannister turned to his brother. â€Å"If my son's men will not obey his commands, perhaps the vanguard is not the place for him. No doubt he would be more comfortable in the rear, guarding our baggage train.† â€Å"Do me no kindnesses, Father,† he said angrily. â€Å"If you have no other command to offer me, I'll lead your van.† Lord Tywin studied his dwarf son. â€Å"I said nothing about command. You will serve under Ser Gregor.† Tyrion took one bite of pork, chewed a moment, and spit it out angrily. â€Å"I find I am not hungry after all,† he said, climbing awkwardly off the bench. â€Å"Pray excuse me, my lords.† Lord Tywin inclined his head, dismissing him. Tyrion turned and walked away. He was conscious of their eyes on his back as he waddled down the hill. A great gust of laughter went up from behind him, but he did not look back. He hoped they all choked on their suckling pigs. Dusk had settled, turning all the banners black. The Lannister camp sprawled for miles between the river and the kingsroad. In amongst the men and the horses and the trees, it was easy to get lost, and Tyrion did. He passed a dozen great pavilions and a hundred cookfires. Fireflies drifted amongst the tents like wandering stars. He caught the scent of garlic sausage, spiced and savory, so tempting it made his empty stomach growl. Away in the distance, he heard voices raised in some bawdy song. A giggling woman raced past him, naked beneath a dark cloak, her drunken pursuer stumbling over tree roots. Farther on, two spearmen faced each other across a little trickle of a stream, practicing their thrust-and-parry in the fading light, their chests bare and slick with sweat. No one looked at him. No one spoke to him. No one paid him any mind. He was surrounded by men sworn to House Lannister, a vast host twenty thousand strong, and yet he was alone. When he heard the deep rumble of Shagga's laughter booming through the dark, he followed it to the Stone Crows in their small corner of the night. Conn son of Coratt waved a tankard of ale. â€Å"Tyrion Halfman! Come, sit by our fire, share meat with the Stone Crows. We have an ox.† â€Å"I can see that, Conn son of Coratt.† The huge red carcass was suspended over a roaring fire, skewered on a spit the size of a small tree. No doubt it was a small tree. Blood and grease dripped down into the flames as two Stone Crows turned the meat. â€Å"I thank you. Send for me when the ox is cooked.† From the look of it, that might even be before the battle. He walked on. Each clan had its own cookfire; Black Ears did not eat with Stone Crows, Stone Crows did not eat with Moon Brothers, and no one ate with Burned Men. The modest tent he had coaxed out of Lord Lefford's stores had been erected in the center of the four fires. Tyrion found Bronn sharing a skin of wine with the new servants. Lord Tywin had sent him a groom and a body servant to see to his needs, and even insisted he take a squire. They were seated around the embers of a small cookfire. A girl was with them; slim, dark-haired, no more than eighteen by the look of her. Tyrion studied her face for a moment, before he spied fishbones in the ashes. â€Å"What did you eat?† â€Å"Trout, m'lord,† said his groom. â€Å"Bronn caught them.† Trout, he thought. Suckling pig. Damn my father. He stared mournfully at the bones, his belly rumbling. His squire, a boy with the unfortunate name of Podrick Payne, swallowed whatever he had been about to say. The lad was a distant cousin to Ser Ilyn Payne, the king's headsman . . . and almost as quiet, although not for want of a tongue. Tyrion had made him stick it out once, just to be certain. â€Å"Definitely a tongue,† he had said. â€Å"Someday you must learn to use it.† At the moment, he did not have the patience to try and coax a thought out of the lad, whom he suspected had been inflicted on him as a cruel jape. Tyrion turned his attention back to the girl. â€Å"Is this her?† he asked Bronn. She rose gracefully and looked down at him from the lofty height of five feet or more. â€Å"It is, m'lord, and she can speak for herself, if it please you.† He cocked his head to one side. â€Å"I am Tyrion, of House Lannister. Men call me the Imp.† â€Å"My mother named me Shae. Men call me . . . often.† Bronn laughed, and Tyrion had to smile. â€Å"Into the tent, Shae, if you would be so kind.† He lifted the flap and held it for her. Inside, he knelt to light a candle. The life of a soldier was not without certain compensations. Wherever you have a camp, you are certain to have camp followers. At the end of the day's march, Tyrion had sent Bronn back to find him a likely whore. â€Å"I would prefer one who is reasonably young, with as pretty a face as you can find,† he had said. â€Å"If she has washed sometime this year, I shall be glad. If she hasn't, wash her. Be certain that you tell her who I am, and warn her of what I am.† Jyck had not always troubled to do that. There was a look the girls got in their eyes sometimes when they first beheld the lordling they'd been hired to pleasure . . . a took that Tyrion Lannister did not ever care to see again. He lifted the candle and looked her over. Bronn had done well enough; she was doe-eyed and slim, with small firm breasts and a smile that was by turns shy, insolent, and wicked. He liked that. â€Å"Shall I take my gown off, m'lord?† she asked. â€Å"In good time. Are you a maiden, Shae?† â€Å"If it please you, m'lord,† she said demurely. â€Å"What would please me would be the truth of you, girl.† â€Å"Aye, but that will cost you double.† Tyrion decided they would get along splendidly. â€Å"I am a Lannister. Gold I have in plenty, and you'll find me generous . . . but I'll want more from you than what you've got between your legs, though I'll want that too. You'll share my tent, pour my wine, laugh at my jests, rub the ache from my legs after each day's ride . . . and whether I keep you a day or a year, for so long as we are together you will take no other men into your bed.† â€Å"Fair enough.† She reached down to the hem of her thin roughspun gown and pulled it up over her head in one smooth motion, tossing it aside. There was nothing underneath but Shae. â€Å"If he don't put down that candle, m'lord will burn his fingers.† Tyrion put down the candle, took her hand in his, and pulled her gently to him. She bent to kiss him. Her mouth tasted of honey and cloves, and her fingers were deft and practiced as they found the fastenings of his clothes. When he entered her, she welcomed him with whispered endearments and small, shuddering gasps of pleasure. Tyrion suspected her delight was feigned, but she did it so well that it did not matter. That much truth he did not crave. He had needed her, Tyrion realized afterward, as she lay quietly in his arms. Her or someone like her. It had been nigh on a year since he'd lain with a woman, since before he had set out for Winterfell in company with his brother and King Robert. He could well die on the morrow or the day after, and if he did, he would sooner go to his grave thinking of Shae than of his lord father, Lysa Arryn, or the Lady Catelyn Stark. He could feel the softness of her breasts pressed against his arm as she lay beside him. That was a good feeling. A song filled his head. Softly, quietly, he began to whistle. â€Å"What's that, m'lord?† Shae murmured against him. â€Å"Nothing,† he told her. â€Å"A song I learned as a boy, that's all. Go to sleep, sweetling.† When her eyes were closed and her breathing deep and steady, Tyrion slid out from beneath her, gently, so as not to disturb her sleep. Naked, he crawled outside, stepped over his squire, and walked around behind his tent to make water. Bronn was seated cross-legged under a chestnut tree, near where they'd tied the horses. He was honing the edge of his sword, wide awake; the sellsword did not seem to sleep like other men. â€Å"Where did you find her?† Tyrion asked him as he pissed. â€Å"I took her from a knight. The man was loath to give her up, but your name changed his thinking somewhat . . . that, and my dirk at his throat.† â€Å"Splendid,† Tyrion said dryly, shaking off the last drops. â€Å"I seem to recall saying find me a whore, not make me an enemy.† â€Å"The pretty ones were all claimed,† Bronn said. â€Å"I'll be pleased to take her back if you'd prefer a toothless drab.† Tyrion limped closer to where he sat. â€Å"My lord father would call that insolence, and send you to the mines for impertinence.† â€Å"Good for me you're not your father,† Bronn replied. â€Å"I saw one with boils all over her nose. Would you like her?† â€Å"What, and break your heart?† Tyrion shot back. â€Å"I shall keep Shae. Did you perchance note the name of this knight you took her from? I'd rather not have him beside me in the battle.† Bronn rose, cat-quick and cat-graceful, turning his sword in his hand. â€Å"You'll have me beside you in the battle, dwarf.† Tyrion nodded. The night air was warm on his bare skin. â€Å"See that I survive this battle, and you can name your reward.† Bronn tossed the longsword from his right hand to his left, and tried a cut. â€Å"Who'd want to kill the likes of you?† â€Å"My lord father, for one. He's put me in the van.† â€Å"I'd do the same. A small man with a big shield. You'll give the archers fits.† â€Å"I find you oddly cheering,† Tyrion said. â€Å"I must be mad.† Bronn sheathed his sword. â€Å"Beyond a doubt.† When Tyrion returned to his tent, Shae rolled onto her elbow and murmured sleepily, â€Å"I woke and m'lord was gone.† â€Å"M'lord is back now.† He slid in beside her. Her hand went between his stunted legs, and found him hard. â€Å"Yes he is,† she whispered, stroking him. He asked her about the man Bronn had taken her from, and she named the minor retainer of an insignificant lordling. â€Å"You need not fear his like, m'lord,† the girl said, her fingers busy at his cock. â€Å"He is a small man.† â€Å"And what am I, pray?† Tyrion asked her. â€Å"A giant?† â€Å"Oh, yes,† she purred, â€Å"my giant of Lannister.† She mounted him then, and for a time, she almost made him believe it. Tyrion went to sleep smiling . . . . . . and woke in darkness to the blare of trumpets. Shae was shaking him by the shoulder. â€Å"M'lord,† she whispered. â€Å"Wake up, m'lord. I'm frightened.† Groggy, he sat up and threw back the blanket. The horns called through the night, wild and urgent, a cry that said hurry hurry hurry. He heard shouts, the clatter of spears, the whicker of horses, though nothing yet that spoke to him of fighting. â€Å"My lord father's trumpets,† he said. â€Å"Battle assembly. I thought Stark was yet a day's march away.† Shae shook her head, lost. Her eyes were wide and white. Groaning, Tyrion lurched to his feet and pushed his way outside, shouting for his squire. Wisps of pale fog drifted through the night, long white fingers off the river. Men and horses blundered through the predawn chill; saddles were being cinched, wagons loaded, fires extinguished. The trumpets blew again: hurry hurry hurry. Knights vaulted onto snorting coursers while men-at-arms buckled their sword belts as they ran. When he found Pod, the boy was snoring softly. Tyrion gave him a sharp poke in the ribs with his toe. â€Å"My armor,† he said, â€Å"and be quick about it.† Bronn came trotting out of the mists, already armored and ahorse, wearing his battered halfhelm. â€Å"Do you know what's happened?† Tyrion asked him. â€Å"The Stark boy stole a march on us,† Bronn said. â€Å"He crept down the kingsroad in the night, and now his host is less than a mile north of here, forming up in battle array.† Hurry, the trumpets called, hurry hurry hurry. â€Å"See that the clansmen are ready to ride.† Tyrion ducked back inside his tent. â€Å"Where are my clothes?† he barked at Shae. â€Å"There. No, the leather, damn it. Yes. Bring me my boots.† By the time he was dressed, his squire had laid out his armor, such that it was. Tyrion owned a fine suit of heavy plate, expertly crafted to fit his misshapen body. Alas, it was safe at Casterly Rock, and he was not. He had to make do with oddments assembled from Lord Lefford's wagons: mail hauberk and coif, a dead knight's gorget, lobstered greaves and gauntlets and pointed steel boots. Some of it was ornate, some plain; not a bit of it matched, or fit as it should. His breastplate was meant for a bigger man; for his oversize head, they found a huge bucket-shaped greathelm topped with a foot-long triangular spike. Shae helped Pod with the buckles and clasps. â€Å"If I die, weep for me,† Tyrion told the whore. â€Å"How will you know? You'll be dead.† â€Å"I'll know.† â€Å"I believe you would.† Shae lowered the greathelm down over his head, and Pod fastened it to his gorget. Tyrion buckled on his belt, heavy with the weight of shortsword and dirk. By then his groom had brought up his mount, a formidable brown courser armored as heavily as he was. He needed help to mount; he felt as though he weighed a thousand stone. Pod handed him up his shield, a massive slab of heavy ironwood banded with steel. Lastly they gave him his battle-axe. Shae stepped back and looked him over. â€Å"M'lord looks fearsome.† â€Å"M'lord looks a dwarf in mismatched armor,† Tyrion answered sourly, â€Å"but I thank you for the kindness. Podrick, should the battle go against us, see the lady safely home.† He saluted her with his axe, wheeled his horse about, and trotted off. His stomach was a hard knot, so tight it pained him. Behind, his servants hurriedly began to strike his tent. Pale crimson fingers fanned out to the east as the first rays of the sun broke over the horizon. The western sky was a deep purple, speckled with stars. Tyrion wondered whether this was the last sunrise he would ever see . . . and whether wondering was a mark of cowardice. Did his brother Jaime ever contemplate death before a battle? A warhorn sounded in the far distance, a deep mournful note that chilled the soul. The clansmen climbed onto their scrawny mountain horses, shouting curses and rude jokes. Several appeared to be drunk. The rising sun was burning off the drifting tendrils of fog as Tyrion led them off. What grass the horses had left was heavy with dew, as if some passing god had scattered a bag of diamonds over the earth. The mountain men fell in behind him, each clan arrayed behind its own leaders. In the dawn light, the army of Lord Tywin Lannister unfolded like an iron rose, thorns gleaming. His uncle would lead the center. Ser Kevan had raised his standards above the kingsroad. Quivers hanging from their belts, the foot archers arrayed themselves into three long lines, to east and west of the road, and stood calmly stringing their bows. Between them, pikemen formed squares; behind were rank on rank of men-at-arms with spear and sword and axe. Three hundred heavy horse surrounded Ser Kevan and the lords bannermen Lefford, Lydden, and Serrett with all their sworn retainers. The right wing was all cavalry, some four thousand men, heavy with the weight of their armor. More than three quarters of the knights were there, massed together like a great steel fist. Ser Addam Marbrand had the command. Tyrion saw his banner unfurl as his standardbearer shook it out; a burning tree, orange and smoke. Behind him flew Ser Flement's purple unicorn, the brindled boar of Crakehall, the bantam rooster of Swyft, and more. His lord father took his place on the hill where he had slept. Around him, the reserve assembled; a huge force, half mounted and half foot, five thousand strong. Lord Tywin almost always chose to command the reserve; he would take the high ground and watch the battle unfold below him, committing his forces when and where they were needed most. Even from afar, his lord father was resplendent. Tywin Lannister's battle armor put his son Jaime's gilded suit to shame. His greatcloak was sewn from countless layers of cloth-of-gold, so heavy that it barely stirred even when he charged, so large that its drape covered most of his stallion's hindquarters when he took the saddle. No ordinary clasp would suffice for such a weight, so the greatcloak was held in place by a matched pair of miniature lionesses crouching on his shoulders, as if poised to spring. Their mate, a male with a magnificent mane, reclined atop Lord Tywin's greathelm, one paw raking the air as he roared. All three lions were wrought in gold, with ruby eyes. His armor was heavy steel plate, enameled in a dark crimson, greaves and gauntlets inlaid with ornate gold scrollwork. His rondels were golden sunbursts, all his fastenings were gilded, and the red steel was burnished to such a high sheen that it shone like fire in the light of the rising sun. Tyrion could hear the rumble of the foemen's drums now. He remembered Robb Stark as he had last seen him, in his father's high seat in the Great Hall of Winterfell, a sword naked and shining in his hands. He remembered how the direwolves had come at him out of the shadows, and suddenly he could see them again, snarling and snapping, teeth bared in his face. Would the boy bring his wolves to war with him? The thought made him uneasy. The northerners would be exhausted after their long sleepless march. Tyrion wondered what the boy had been thinking. Did he think to take them unawares while they slept? Small chance of that; whatever else might be said of him, Tywin Lannister was no man's fool. The van was massing on the left. He saw the standard first, three black dogs on a yellow field. Ser Gregor sat beneath it, mounted on the biggest horse Tyrion had ever seen. Bronn took one look at him and grinned. â€Å"Always follow a big man into battle.† Tyrion threw him a hard look. â€Å"And why is that?† â€Å"They make such splendid targets. That one, he'll draw the eyes of every bowman on the field.† Laughing, Tyrion regarded the Mountain with fresh eyes. â€Å"I confess, I had not considered it in that light.† Clegane had no splendor about him; his armor was steel plate, dull grey, scarred by hard use and showing neither sigil nor ornament. He was pointing men into position with his blade, a two-handed greatsword that Ser Gregor waved about with one hand as a lesser man might wave a dagger. â€Å"Any man runs, I'll cut him down myself,† he was roaring when he caught sight of Tyrion. â€Å"Imp! Take the left. Hold the river. If you can.† The left of the left. To turn their flank, the Starks would need horses that could run on water. Tyrion led his men toward the riverbank. â€Å"Look,† he shouted, pointing with his axe. â€Å"The river.† A blanket of pale mist still clung to the surface of the water, the murky green current swirling past underneath. The shallows were muddy and choked with reeds. â€Å"That river is ours. Whatever happens, keep close to the water. Never lose sight of it. Let no enemy come between us and our river. If they dirty our waters, hack off their cocks and feed them to the fishes.† Shagga had an axe in either hand. He smashed them together and made them ring. â€Å"Halfman!† he shouted. Other Stone Crows picked up the cry, and the Black Ears and Moon Brothers as well. The Burned Men did not shout, but they rattled their swords and spears. â€Å"Halfman! Halfman! Halfman!† Tyrion turned his courser in a circle to look over the field. The ground was rolling and uneven here; soft and muddy near the river, rising in a gentle slope toward the kingsroad, stony and broken beyond it, to the cast. A few trees spotted the hillsides, but most of the land had been cleared and planted. His heart pounded in his chest in time to the drums, and under his layers of leather and steel his brow was cold with sweat. He watched Ser Gregor as the Mountain rode up and down the line, shouting and gesticulating. This wing too was all cavalry, but where the right was a mailed fist of knights and heavy lancers, the vanguard was made up of the sweepings of the west: mounted archers in leather jerkins, a swarming mass of undisciplined freeriders and sellswords, fieldhands on plow horses armed with scythes and their fathers' rusted swords, half-trained boys from the stews of Lannisport . . . and Tyrion and his mountain clansmen. â€Å"Crow food,† Bronn muttered beside him, giving voice to what Tyrion had left unsaid. He could only nod. Had his lord father taken leave of his senses? No pikes, too few bowmen, a bare handful of knights, the ill-armed and unarmored, commanded by an unthinking brute who led with his rage . . . how could his father expect this travesty of a battle to hold his left? He had no time to think about it. The drums were so near that the beat crept under his skin and set his hands to twitching. Bronn drew his longsword, and suddenly the enemy was there before them, boiling over the tops of the hills, advancing with measured tread behind a wall of shields and pikes. Gods be damned, look at them all, Tyrion thought, though he knew his father had more men on the field. Their captains led them on armored warhorses, standard-bearers riding alongside with their banners. He glimpsed the bull moose of the Hornwoods, the Karstark sunburst, Lord Cerwyn's battle-axe, and the mailed fist of the Glovers . . . and the twin towers of Frey, blue on grey. So much for his father's certainty that Lord Walder would not bestir himself. The white of House Stark was seen everywhere, the grey direwolves seeming to run and leap as the banners swirled and streamed from the high staffs. Where is the boy? Tyrion wondered. A warhorn blew. Haroooooooooooooooooooooooo, it cried, its voice as long and low and chilling as a cold wind from the north. The Lannister trumpets answered, da-DA da-DA da-DAAAAAAAAA, brazen and defiant, yet it seemed to Tyrion that they sounded somehow smaller, more anxious. He could feel a fluttering in his bowels, a queasy liquid feeling; he hoped he was not going to die sick. As the horns died away, a hissing filled the air; a vast flight of arrows arched up from his right, where the archers stood flanking the road. The northerners broke into a run, shouting as they came, but the Lannister arrows fell on them like hail, hundreds of arrows, thousands, and shouts turned to screams as men stumbled and went down. By then a second flight was in the air, and the archers were fitting a third arrow to their bowstrings. The trumpets blared again, da-DAAA da-DAAA da-DA da-DA da-DAAAAAAA. Ser Gregor waved his huge sword and bellowed a command, and a thousand other voices screamed back at him. Tyrion put his spurs to his horse and added one more voice to the cacophony, and the van surged forward. â€Å"The river!† he shouted at his clansmen as they rode. â€Å"Remember, hew to the river.† He was still leading when they broke a canter, until Chella gave a bloodcurdling shriek and galloped past him, and Shagga howled and followed. The clansmen charged after them, leaving Tyrion in their dust. A crescent of enemy spearmen had formed ahead, a double hedgehog bristling with steel, waiting behind tall oaken shields marked with the sunburst of Karstark. Gregor Clegane was the first to reach them, leading a wedge of armored veterans. Half the horses shied at the last second, breaking their charge before the row of spears. The others died, sharp steel points ripping through their chests. Tyrion saw a dozen men go down. The Mountain's stallion reared, lashing out with iron-shod hooves as a barbed spearhead raked across his neck. Maddened, the beast lunged into the ranks. Spears thrust at him from every side, but the shield wall broke beneath his weight. The northerners stumbled away from the animal's death throes. As his horse fell, snorting blood and biting with his last red breath, the Mountain rose untouched, laying about him with his two-handed greatsword. Shagga went bursting through the gap before the shields could close, other Stone Crows hard behind him. Tyrion shouted, â€Å"Burned Men! Moon Brothers! After me!† but most of them were ahead of him. He glimpsed Timett son of Timett vault free as his mount died under him in full stride, saw a Moon Brother impaled on a Karstark spear, watched Conn's horse shatter a man's ribs with a kick. A flight of arrows descended on them; where they came from he could not say, but they fell on Stark and Lannister alike, rattling off armor or finding flesh. Tyrion lifted his shield and hid beneath it. The hedgehog was crumbling, the northerners reeling back under the impact of the mounted assault. Tyrion saw Shagga catch a spearman full in the chest as the fool came on at a run, saw his axe shear through mail and leather and muscle and lungs. The man was dead on his feet, the axehead lodged in his breast, yet Shagga rode on, cleaving a shield in two with his left-hand battle-axe while the corpse was bouncing and stumbling bonelessly along on his right. Finally the dead man slid off. Shagga smashed the two axes together and roared. By then the enemy was on him, and Tyrion's battle shrunk to the few feet of ground around his horse. A man-at-arms thrust at his chest and his axe lashed out, knocking the spear aside. The man danced back for another try, but Tyrion spurred his horse and rode right over him. Bronn was surrounded by three foes, but he lopped the head off the first spear that came at him, and raked his blade across a second man's face on his backslash. A thrown spear came hurtling at Tyrion from the left and lodged in his shield with a woody chunk. He wheeled and raced after the thrower, but the man raised his own shield over his head. Tyrion circled around him, raining axe blows down on the wood. Chips of oak went flying, until the northerner lost his feet and slipped, failing flat on his back with his shield on top of him. He was below the reach of Tyrion's axe and it was too much bother to dismount, so he left him there and rode after another man, taking him from behind with a sweeping downcut that sent a jolt of impact up his arm. That won him a moment's respite. Reining up, he looked for the river. There it was, off to the right. Somehow he had gotten turned around. A Burned Man rode past, slumped against his horse. A spear had entered his belly and come out through his back. He was past any help, but when Tyrion saw one of the northerners run up and make a grab for his reins, he charged. His quarry met him sword in hand. He was tall and spare, wearing a long chainmail hauberk and gauntlets of lobstered steel, but he'd lost his helm and blood ran down into his eyes from a gash across his forehead. Tyrion aimed a swipe at his face, but the tall man slammed it aside. â€Å"Dwarf,† he screamed. â€Å"Die.† He turned in a circle as Tyrion rode around him, hacking at his head and shoulders. Steel rang on steel, and Tyrion soon realized that the tall man was quicker and stronger than he was. Where in the seven hells was Bronn? â€Å"Die,† the man grunted, chopping at him savagely. Tyrion barely got his shield up in time, and the wood seemed to explode inward under the force of the blow. The shattered pieces fell away from his arm. â€Å"Die!† the swordsman bellowed, shoving in close and whanging Tyrion across the temple so hard his head rang. The blade made a hideous scraping sound as he drew it back over the steel. The tall man grinned . . . unt il Tyrion's destrier bit, quick as a snake, laying his cheek bare to the bone. Then he screamed. Tyrion buried his axe in his head. â€Å"You die,† he told him, and he did. As he wrenched the blade free, he heard a shout. ‘Eddard!† a voice rang out. â€Å"For Eddard and Winterfell!† The knight came thundering down on him, swinging the spiked ball of a morningstar around his head. Their warhorses slammed together before Tyrion could so much as open his mouth to shout for Bronn. His right elbow exploded with pain as the spikes punched through the thin metal around the joint. His axe was gone, as fast as that. He clawed for his sword, but the morningstar was circling again, coming at his face. A sickening crunch, and he was falling. He did not recall hitting the ground, but when he looked up there was only sky above him. He rolled onto his side and tried to find his feet, but pain shuddered through him and the world throbbed. The knight who had felled him drew up above him. â€Å"Tyrion the Imp,† he boomed down. â€Å"You are mine. Do you yield, Lannister?† Yes, Tyrion thought, but the word caught in his throat. He made a croaking sound and fought his way to his knees, fumbling for a weapon. His sword, his dirk, anything . . . â€Å"Do you yield?† The knight loomed overhead on his armored warhorse. Man and horse both seemed immense. The spiked ball swung in a lazy circle. Tyrion's hands were numb, his vision blurred, his scabbard empty. â€Å"Yield or die,† the knight declared, his flail whirling faster and faster. Tyrion lurched to his feet, driving his head into the horse's belly. The animal gave a hideous scream and reared. It tried to twist away from the agony, a shower of blood and viscera poured down over Tyrion's face, and the horse fell like an avalanche. The next he knew, his visor was packed with mud and something was crushing his foot. He wriggled free, his throat so tight he could scarce talk. † . . . yield . . . † he managed to croak faintly. â€Å"Yes,† a voice moaned, thick with pain. Tyrion scraped the mud off his helm so he could see again. The horse had fallen away from him, onto its rider. The knight's leg was trapped, the arm he'd used to break his fall twisted at a grotesque angle. â€Å"Yield,† he repeated. Fumbling at his belt with his good hand, he drew a sword and flung it at Tyrion's feet. â€Å"I yield, my lord.† Dazed, the dwarf knelt and lifted the blade. Pain hammered through his elbow when he moved his arm. The battle seemed to have moved beyond him. No one remained on his part of the field save a large number of corpses. Ravens were already circling and landing to feed. He saw that Ser Kevan had brought up his center in support of the van; his huge mass of pikemen had pushed the northerners back against the hills. They were struggling on the slopes, pikes thrusting against another wall of shields, these oval and reinforced with iron studs. As he watched, the air filled with arrows again, and the men behind the oak wall crumbled beneath the murderous fire. â€Å"I believe you are losing, ser,† he told the knight under the horse. The man made no reply. The sound of hooves coming up behind him made him whirl, though he could scarcely lift the sword he held for the agony in his elbow. Brorm reined up and looked down on him. â€Å"Small use you turned out to be,† Tyrion told him. â€Å"It would seem you did well enough on your own,† Bronn answered. â€Å"You've lost the spike off your helm, though.† Tyrion groped at the top of the greathelm. The spike had snapped off clean. â€Å"I haven't lost it. I know just where it is. Do you see my horse?† By the time they found it, the trumpets had sounded again and Lord Tywin's reserve came sweeping up along the river. Tyrion watched his father fly past, the crimson-and-gold banner of Lannister rippling over his head as he thundered across the field. Five hundred knights surrounded him, sunlight flashing off the points of their lances. The remnants of the Stark lines shattered like glass beneath the hammer of their charge. With his elbow swollen and throbbing inside his armor, Tyrion made no attempt to join the slaughter. He and Bronn went looking for his men. Many he found among the dead. Ulf son of Umar lay in a pool of congealing blood, his arm gone at the elbow, a dozen of his Moon Brothers sprawled around him. Shagga was slumped beneath a tree, riddled with arrows, Conn's head in his lap. Tyrion thought they were both dead, but as he dismounted, Shagga opened his eyes and said, â€Å"They have killed Conn son of Coratt.† Handsome Conn had no mark but for the red stain over his breast, where the spear thrust had killed him. When Bronn pulled Shagga to his feet, the big man seemed to notice the arrows for the first time. He plucked them out one by one, cursing the holes they had made in his layers of mail and leather, and yowling like a babe at the few that had buried themselves in his flesh. Chella daughter of Cheyk rode up as they were yanking arrows out of Shagga, and showed them four ears she had taken. Timett they discovered looting the bodies of the slain with his Burned Men. Of the three hundred clansmen who had ridden to battle behind Tyrion Lannister, perhaps half had survived. He left the living to look after the dead, sent Bronn to take charge of his captive knight, and went alone in search of his father. Lord Tywin was seated by the river, sipping wine from a jeweled cup as his squire undid the fastenings on his breastplate. â€Å"A fine victory,† Ser Kevan said when he saw Tyrion. â€Å"Your wild men fought well.† His father's eyes were on him, pale green flecked with gold, so cool they gave Tyrion a chill. â€Å"Did that surprise you, Father?† he asked. â€Å"Did it upset your plans? We were supposed to be butchered, were we not?† Lord Tywin drained his cup, his face expressionless. â€Å"I put the least disciplined men on the left, yes. I anticipated that they would break. Robb Stark is a green boy, more like to be brave than wise. I'd hoped that if he saw our left collapse, he might plunge into the gap, eager for a rout. Once he was fully committed, Ser Kevan's pikes would wheel and take him in the flank, driving him into the river while I brought up the reserve.† â€Å"And you thought it best to place me in the midst of this carnage, yet keep me ignorant of your plans.† â€Å"A feigned rout is less convincing,† his father said, â€Å"and I am not inclined to trust my plans to a man who consorts with sellswords and savages.† â€Å"A pity my savages ruined your dance.† Tyrion pulled off his steel gauntlet and let it fall to the ground, wincing at the pain that stabbed up his arm. â€Å"The Stark boy proved more cautious than I expected for one of his years,† Lord Tywin admitted, â€Å"but a victory is a victory. You appear to be wounded.† Tyrion's right arm was soaked with blood. â€Å"Good of you to notice, Father,† he said through clenched teeth. â€Å"Might I trouble you to send for your maesters? Unless you relish the notion of having a one-armed dwarf for a son . . . â€Å" An urgent shout of â€Å"Lord Tywin!† turned his father's head before he could reply. Tywin Lannister rose to his feet as Ser Addam Marbrand leapt down off his courser. The horse was lathered and bleeding from the mouth. Ser Addam dropped to one knee, a rangy man with dark copper hair that fell to his shoulders, armored in burnished bronzed steel with the fiery tree of his House etched black on his breastplate. â€Å"My liege, we have taken some of their commanders. Lord Cerwyn, Ser Wylis Manderly, Harrion Karstark, four Freys. Lord Hornwood is dead, and I fear Roose Bolton has escaped us.† â€Å"And the boy?† Lord Tywin asked. Ser Addam hesitated. â€Å"The Stark boy was not with them, my lord. They say he crossed at the Twins with the great part of his horse, riding hard for Riverrun.† A green boy, Tyrion remembered, more like to be brave than wise. He would have laughed, if he hadn't hurt so much.

Thesis Statement of Drugs

Thesis Statement of Drugs Drug consumption is one of the most discussed and analyzed topics in the literature and scientific works, researches and experiments throughout the last twenty years. Drug specialists and scientists have developed various methodologies for fighting with the increasing drug consumption and trade. This work will not touch upon any new aspects of drug consumption or trade, but we will look in more details at the evolution of the illegal drug trade and preventive measures in Central and Latin America. The purpose of this study is to analyse current state of events in regards of this topic and try to develop several parallels between the growth/reduction in the drug trade and consumption within the region as well as measures, taken by individual governments and joint efforts of the America’s states. The analysis is based on the review of the existing literature and latest measures taken in relation to the illegal drug trade in the region of America and Asia, development of the so-called black market and competition between legal drug trade, production and sales and their illegal alternatives. To narrow down the scope of the analysis, it was decided to focus on the specific drug – heroin. Geographical scope will cover the Golden Triangle, the region of Southeast Asia and Afghanistan that are considered to be the world’s largest heroin exporting regions. The results of the analysis will include: Geographical analysis. Growth rates and statistical analysis per region. Specific measures and their effectiveness on the reduction of illegal trades. The results will be presented in the form of a report that will include details of theoretical background analysis and specific statistical comparison to support main conclusions.